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A certain sense of bewildering absurdity

Humans and Animals: Some Slightly Surreal Aspects

A dialogue of the deaf. Rome, Via della Conciliazione, 23 February 2026.

Images of interactions between animals—whether wild or domestic—and humans or objects associated with them within the urban landscape can convey a certain sense of bewildering absurdity.

Animals visibly out of place among man-made objects; meaningless conversations, humans who attribute to them thoughts and behaviors foreign to their nature, who treat them like children decked out in strollers, or who, on the other hand, share with them even the hardships of life.

Photographs that evoke the famous final scenes of the flock of lambs passing by in a Buñuel film.

An atmosphere reminiscent of the last days of humanity, before the Exterminating Angel passes through this part of the world—but with a certain lightheartedness: after all, it’s all just a game, a dance on the Titanic’s deck.

The caress, a scene featuring a horse, a girl and a coachman, Rome, Via dei Condotti, 9 June 2026.
The centre of attention, Rome, Borgo Pio, 10 June 2026.
Did she escape the Exterminating Angel? Rome, Monte Ciocci Park, 8 March 2026.
On the road: brothers in sleep. Rome, Via del Corso, 16 March 2026.
A pensive window. Ronciglione (Viterbo), 26 July 2026.
Slowing down the traffic at a horse’s pace. Rome, Via di Porta Angelica, 2 April 2026.
Forgotten and saddened. Rome, Piazza Testaccio, 5 February 2026.
The boundless feline equanimity. Azzate (Varese), 24 April 2026.
Dogs and icecreams: the world turned upside down. Rome, Via Candia, 13 June 2026.
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Pietro Coppa

Nato e vissuto a Roma, fotografo per antica passione.

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