The periphery is where use and decay intersect. Where geometry is not only structure but the echo of earlier interventions. Ditches, furrows, fences, shadows – they are more than graphic elements. They are traces.
This work continues my documentary practice, which avoids artificial staging – unless it becomes part of a deliberate conceptual strategy. Unlike Unscripted Moments, which focuses on human closeness and relationships, or the Rear Seat Diaries, where movement through urban space and serial perception dominate, this small series turns toward rural edges in their quiet, geometric fragmentation.
What is shown here are fragments. Excerpts of a space often overlooked. No overview, no complete picture – but a reading of lines, marks, and light.
These images do not romanticize rural life. They observe. They show what is – and what is disappearing.
“Village Periphery – Edges and Echoes – Rural Geometry” is a visual notebook: a document full of ruptures, repetitions, and fading marks.
This small series shifts the gaze toward the edge. Not to the village center, not to untouched nature – but to the in-between.
