EASTEUROPE

Images used in photojournalism today look, to me, like fragments of reality snatched from a complex world which is essentially indescribable.
[…] Photojournalism today is a heroic thing. It is an old song, a last raised voice.
[…] The strongest and truest photojournalism today is that which outlives itself without straining to be “beautiful”. It stays faithful to its “primitiveness”, its leanness, and far from aesthetics.