Fascinated by outsiders and subcultures, photographer and documentary filmmaker, Danny Lyon, developed a more subjective and partisan form of reportage.
Fotomuseum Winterthur (www.fotomuseum.ch) was founded in 1993 and is dedicated to photography as art form and document, and as a representation of reality. Fotomuseum Winterthur is on the one hand an art gallery for photography by contemporary photographers and artists (with exhibitions by Lewis Baltz, William Eggleston, Nan Goldin, Andreas Gursky, Roni Horn, Boris Mikhailov and many others). On the other, the Fotomuseum Winterthur is also a traditional museum for works by 19th and 20th century masters (with exhibitions by Karl Blossfeldt, Bill Brandt, Dorothea Lange, Lisette Model, Albert Renger-Patzsch, August Sander, Charles Sheeler, Edward Weston, Weegee and others). And finally, it is a cultural-historical, sociological museum of applied photography in the fields of industry, architecture, fashion, etc. (with exhibitions on police photography, industrial photography, dam-construction photography, medical photography etc.). These three orientations form the basis of the museum’s exhibition program and accompanying publications and events.
A lively installation that features works by Nobuyoshi Araki, Eikō Hosoe, Kazuo Kitai, Daidō Moriyama, Takuma Nakahira, Shōmei Tōmatsu and many more.
As every citizen with a smartphone, laptop or tablet knows, photography is becoming increasingly ‘distributed’. Driven by the vast replicative power of digital algorithms, photographs now move with tremendous speed across a wide variety of devices and platforms. The distinction between the still and the moving image is becoming
Paul Strand White Fence, Port Kent, New York, 1916 Gelatin-silver print, 24.5 × 32.5 cm Philadelphia Museum of Art, The Paul Strand Retrospective Collection © Estate of Paul Strand Photo exhibition: Paul Strand - Photography and Film for the 20th Century Venue details: Fotomuseum Winterthur, Gruezenstrasse 44 + 45, CH...
In the mid 1990s the German artist Peter Piller worked at a Hamburg press agency while studying art. His job was to collect clippings and monitor where and how the paid ads of regional advertising clients and companies actually appeared in print.
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