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The collection of photos published in this magazine is a photo-story of personal concerns, documentations and reports made by 14 photographers who live and work in Iran.

It’s common to hear photojournalists described as the eyes of the world, acting as witnesses to events that we would otherwise not see. To some extent this is true, but it’s a simplified description that suggests passive observation and it denies the greater function of active investigation that defines great photojournalism…

A rich and profound change of Mexican photography occured in the 90s. This transformation, initiated by a young generation of photographers of the end of the century, changed the manner to consider photographic images. With these new forms of representation a certain “nationalist” vision, very much spread outside Mexico, praising indigenous communities and their life-styles, was put aside.