Cold Celebration
So it happened that New Year is not my favorite holiday. As it often happens the reasons can be tracked to the family history.
So it happened that New Year is not my favorite holiday. As it often happens the reasons can be tracked to the family history.
The personal project about loss. We are born and die alone, but I still see you in dreams. You asked me to look at the sky more often after your death. In these moments, I can always hear your voice.
My parents have only a few photos of themselves from before the Islamic Revolution in Iran. My obsession with these photos, and with the photos we do not have, led to this project: It’s Hard to Kill.
This story is about quite riot that teenagers feel inside themselves. To turn into adult is a very difficult process for them.
Facing the sudden change in my grand-parents’s life, i suddenly felt the need to keep a trace of it and face their reality.
These photos tell a story about our lives. Even though the children and grandchildren are not in them, they and others in our family are in photos and object in the background of this pictures.
There are few plastic gangsters in these pages. The exhibitionism of the late 90s has given way to realism, the vaudeville pageant replaced with first communions and birthday parties.
In Bangladesh, the leather industry is one of the most important economy. Most of the tanneries are based in the Hazaribag area, a densily populated neighborhood of Dhaka.
The reportage tells the story of Stefano and Laura, husband and wife who are both blind and visually impaired. The images focus on their peaceful home life and their approach to difficulties of every day living.
Each year in the Georgian highland village of Adishi, the dead are invited home for a week-long family reunion. It is a time for celebration, but also for contemplation.
Cold darkness prevails at all hours in the cave at Mufakara, southern Hebron hills. Beneath six meters of rock lives a ten-member Palestinian family, upholding a traditional
Elinor Carucci is known for her relentlessly intimate photographs that capture the private worlds of her family and household. Captured over the last seven years these
