PRIVATE

Sorry, but for economic reasons we had to suspend publication of PRIVATE magazine paper version.

PRIVATE 38 | Stories from the USA

PRIVATE 38 | Stories from the USA

In this issue of PRIVATE , they are not images to be quickly rushed through like channel surfing on a…
PRIVATE 37 | an Ecological Question

PRIVATE 37 | an Ecological Question

The destruction of our environment – albeit caused by natural disasters – involves parties (communities, governments or industrial players) and…
PRIVATE 36 | AFRIKA

PRIVATE 36 | AFRIKA

Mastering this split image is the role which photographers of African origin have assigned themselves, sometimes against their better judgement,…
PRIVATE 35 | METROPOLIS

PRIVATE 35 | METROPOLIS

When I look at the twenty photographers which make up this Metropolis edition of PRIVATE, it’s not what makes the…
PRIVATE 34 | WITNESS – special Panos Pictures

PRIVATE 34 | WITNESS – special Panos Pictures

A special issue of PRIVATE dedicated to Panos Pictures, a London-based independent photo agency representing photojournalists worldwide.
PRIVATE 33 | EASTEUROPE

PRIVATE 33 | EASTEUROPE

Images used in photojournalism today look, to me, like fragments of reality snatched from a complex world which is essentially…
PRIVATE 32 | NIGHT

PRIVATE 32 | NIGHT

The beauty of the night resided in an ancestral terror which gripped old and young alike. Night was loved for…
PRIVATE 31 | HUMANITY – special VII Photo Agency

PRIVATE 31 | HUMANITY – special VII Photo Agency

VII derives its name from the number of founding photo-journalists who, in September 2001, formed this collectively owned agency. Designed…
PRIVATE 30 | IRAN. I Awake in Your Eyes

PRIVATE 30 | IRAN. I Awake in Your Eyes

The collection of photographs before you is the stuff of nostalgia. Almost every work affects a spatio-temporal distance. To find…
PRIVATE 29 | EARTH. The infinite China of the countryside

PRIVATE 29 | EARTH. The infinite China of the countryside

The objective of this issue of PRIVATE is China outside the cities, the infinite China of the countryside, and it…
PRIVATE 28 | an Ethical Question

PRIVATE 28 | an Ethical Question

The selected images for this issue of PRIVATE, with their individual style, at times assisted by visual references, demonstrate a…
PRIVATE 27 | GermanViews

PRIVATE 27 | GermanViews

Most photographers think their camera is an extension of their body, an organ and not simply a mechanical tool, to…
PRIVATE 26 | REPORT

PRIVATE 26 | REPORT

I believe photojournalists and documentary photographers must advance an opinion in the name of social and political change and that…
PRIVATE 25 | SAINT PETERSBURG – The Inner City

PRIVATE 25 | SAINT PETERSBURG – The Inner City

St. Petersburg is a utopia constructed... It's strange living in this city, but only for guests. St. Petersburg residents are…
PRIVATE 24 | The Evolution of Contemporary Greek Photography

PRIVATE 24 | The Evolution of Contemporary Greek Photography

In the past two decades Greek art photography has grown enormously, deriving stimuli both from the international photography scene, with…
PRIVATE 23 | Body Fusion Eroticism Sensuality

PRIVATE 23 | Body Fusion Eroticism Sensuality

Whenever a photograph shows more of the subject’s skin than it is usual, a problem of classification inevitably arises: are…
PRIVATE 22 | Time Moving & Storage – Special VU’ l’Agence

PRIVATE 22 | Time Moving & Storage – Special VU’ l’Agence

... we simply hope that this selection will provide practical answers to the questions of those who want to know…
PRIVATE 21 | Self-portrait

PRIVATE 21 | Self-portrait

The photographic self-portraiture as seen in the work of the students of Italian and European Art Schools.
PRIVATE 20 | Fotografia MEXICANA De Hoy

PRIVATE 20 | Fotografia MEXICANA De Hoy

A rich and profound change of Mexican photography occured in the 90s. This transformation, initiated by a young generation of…
PRIVATE 19 | CHOUFF Paris

PRIVATE 19 | CHOUFF Paris

Parisian life in streets and cafés has been freely interpreted by a few photographers and writers who live and work…
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