Over the course of seven years, award-winning documentary photographer Tomas van Houtryve secured unprecedented access to North Korea, Cuba, China, Nepal, Vietnam, Laos and Moldova.
VII is a storied photo agency founded a few days before 9/11 to challenge the convergence in the photography business when the trend for giant companies swallowing smaller independent agencies started. VII went small and photographer-owned, believing in the power and energy of collective effort when everyone else seemed to be going big and corporate. VII remains a disruptive and innovative business unafraid to swim against the prevailing currents.
VII has turned its gaze far from the frontline of its foundation. It has earned a reputation for uncompromising photography immersed in the great issues of today. VII photographers and filmmakers are as likely to be found focusing on race, gender and identity as they are on migration or conflict. Amplifying local voices and addressing the complex political, environmental, and social questions facing families everywhere, VII places great value in the power of images to tell important stories. The members of VII are motivated by issues and are proud to elevate those issues above the cult of the image or the cult of the photographer.
This is a story about migration, the illegal migration of thousands of men, women and children from Central and South America into the United States.
n several nations across the globe, the Communist Party has managed to hold on, mutate and adapt to the 21st century. Whether due to unaddressed class inequality, nostalgia or the steel fist of totalitarianism, these places continue to resist against the tides of history. Over the course of seven years,...
VII derives its name from the number of founding photo-journalists who, in September 2001, formed this collectively owned agency. Designed from the outset to be an efficient, technologically enabled distribution hub for some of the world's finest photojournalism, VII has been responsible for creating and relaying to the world many...
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