Delving deep into the city of Belfast at night, I navigated through the industrial, commercial and residential areas, and found myself drawn to those dark and often disquieting spaces now illuminated by domestic lights, street lamps and neon signs.
I think there’s a beautiful sadness resting on the faces of people travelling on the underground. A sense of melancholia that I try to capture.
The see the true form of the White cliffs you must be ''dive'' into contact with them. Being there I feel thrown back to the very basics of my being.
I believe in photographing what you feel and not what you see. As I wandered around the park, feelings of sadness, of lightness, of transition overcome me.
Julia Borissova (St.Petersburg, Russia) is an artist that explores how history and memory are perceived through images.
This photo series gives a face and a voice to London’s refugee tech students. As they begin a new journey, their past continues to hover over them.
London, UK - Jun-July 2016. “Old is dying and the new cannot be born” - probably this is...
On Friday, 23 June 2016, the United Kingdom awoke as a nation starkly divided.
…over 371,000 hectares of the British landmass was reserved and appropriated for military use.
These images, taken along the course of the River Thames, offer a small glimpse of how the river is inextricably linked to the communities who inhabit the surrounding area.
Modern cities are incommensurable places, and the challenges of representing them only increases with their size. Exhausting the myriad possibilities of a city like London is surely impossible, nothing
When you shoot, you are mostly interested in understanding something and then reflect on. Not because you have understood something and you want to tell about it, but because the shooting themselves is the way which you go.
"A Girl Called Julia, Serbia-Romania border". Borderlands: the Edges of Europe, project by Paola Leonardi Venue details: Waterfront Gallery, Neptune Quay, Ipswich...
