This work is exploring an idea of “Animalness”, a state of ‘animal being’ in Black-and-White photography.
The observation of self and of one’s own being as a first step towards the observation of the world and the understanding of it. The transit, as a form of concrete existence of society and of individuals which allows (or forces) the human species to adapt to its own new activities and perceptions.
Looking at Antigone Kourakou’s photographs, one fully perceives the suggestive range of photographic abstraction. Although there is scarce visual information that connects the pictures with the real scenes, the situations, and the events they were born out of, the photographs imperatively call for our interpretation.
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