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PRIVATE Introductions

  • Behzad Nejadghanbar | A City, A Land, A World

    The collection of photos you can see here covers a broad spectrum of tastes, concerns and outlooks, which may at first sight seem irrelevant. Yet, sorting and carefully comparing the pictures will reveal a common perspective shared between the photographers…

  • Inquiry

    It’s common to hear photojournalists described as the eyes of the world, acting as witnesses to events that we would otherwise not see. To some extent this is true, but it’s a simplified description that suggests passive observation and it…

  • Pierre-François Moreau | School

    Good news, it infuses this issue with a sense of joy, and with an aspect of carefree childhood seized in flight. There is a feeling of solemnity, but a tender solemnity. An innocence that confronts the world, its difficulties and…

  • Michele Smargiassi | Rurality now

    When they came to tell us that farming without farmers could exist we smiled. But now we have uninhabited expanses of land, mechanization, greenhouse plants untouched by human hand.

  • Hans Durrer | Hope

    Since we are living, to a large part, in a socially constructed world – think of the legal system or of bureaucracy, for instance –, social reports can be pretty much about anything and everything that explores conditions and trends…

  • Alain Jullien | Photography and Photographers

    Big changes are happening in photography today, and we cannot blame digital photography for all of these upheavals. The close connection between photography and reality has not been called into question, but what has been cut up, torn up or…

  • Franck Bijou | PrĂ©sences

    I recently made a train journey in France. Leaving from Paris but, and this is what I asked the ticket seller at the station…

  • Ami Steinitz | Meta Reality

    A living environment is a defined terrain where actual and imaginative perceptions are mutually experienced. The current flow of global information intensifies the simultaneous sense of personal space, and images serve as its geographic and emotional expansions.

  • Lucy Conticello | Environment & Climate

    This issue offers its readers a selection of photographs that touches onto the many facets of the environment. I would like to single out two amongst those that underline, I feel, the complexity of reporting on such a multi-faceted issue.

  • Simon Njami | Images Split into Two

    Producing images is probably the last way in which we can fully express our freedom and individuality in this century. Up until the end of the twentieth century, the West held a monopoly on seeing, i.e. the power of describing…

  • Hercules Papaioannou | Reflections and Fragments of Contemporary Greece

    In the past two decades Greek art photography has grown enormously, deriving stimuli both from the international photography scene, with which it now keeps pace, as well as from the fast development of Greek society.

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