Surrealism

My work is called “The Inland Empire”, which refers to David Lynch’s movie. This statement is a visualization in a surrealistic vein of my experience.

Exploring new ways in which to experience photography.

This series, could be interpreted as a connection between my contemplative state of mind and the “existing world”.

Un viaggio per immagini e frammenti di visioni per raccontare un momento personale decisivo, perturbante e di grandi cambiamenti.

As a well-known understanding, certain emotions can only be experienced by getting through certain kind of events, and even the tiniest difference in each event can lead the shifting of the feelings that we had. Not to mention, how each person perceived the world also surely have major significant to shift how human feels.

Blowout began as an ongoing series of photographs of blown out automobile tires that I found along the highway in Las Vegas, Nevada.

A visual essay on adaptation and acceptance in relocation/immigration and migration. Here I am blending two disparate landscapes where I recently resided.

In this project Tatyana Kolbatova makes an attempt to come to terms with the loss of a loved one after years. «In this project, I combined photos from the family archive of my husband's expeditions to Antarctica with pictures I took in Iceland, many years later, to show the state of déjà vu, which I experienced.»

Recollecting Dreams is a serial project by Aji Susanto Anom which express a diaristic journal of a Man who wanders and losing his grasp on his own.

This series is the attempt to understand the functioning of sensations. To explorate the space of emotions and the interaction between the forms of the image and the viewer. Nasos Karabelas is a fine art photographer and film director based in Thessaloniki, Greece.

Nobody ever thought the end of the world would be so romantic.

Fragmenting My World is a series of photomontages inspired by the idea that all matter is not actually solid in the conventional sense.

What is Area_zero0? Area_zero0 is a conceptual visual art project in which digital photography has been selected as a medium. It is a time of postmodernism.

There is nothing more beautiful and liberating than indulging in your (one’s) own pandemonium, nothing more reassuring of one’s existence, both spiritually and physically.

Conceptual fine art experimental photography artwork with mythology, allegory and realism touch.

2017 March, INHABITANTS, featured www.phasesmag.com/andrea-buzzichelli/inhabitants/ 2017 March, INHABITANTS published on FISHEYE MAGAZINE www.fisheyemagazine.fr/portfolio

The title (a transposition of a lyrics by Marlene Kuntz) exasperates these questions bringing us into a philosophical journey that concerns each one. But who is ready?

St Petersburg seems an apparition, which can vanish as unexpectedly as it materialized in the waters of the Gulf of Finland. It creates its Heroes, it tells its stories.

Warping Space-time is a series of photomontages inspired by ideas expressed in physics that explore the potentials of the concepts of time and three-dimensional space regarded as fused in a four-dimensional continuum.

Void relics (as a title) are based on the impressions of a traveller about an "eternal city" that is covered under the heavy veil of history.

A surreal series of photomontages that play with symbolic images of houses equipped with leg like appendages.

“She looks into me” consists of a series of intimate images that hold a deep reverence for a time when the mystery of life and the mystery of death were closely related.

Tatyana Kolbatova traveled through the space and time in three different cities. Imaginary constructions reflecting reality are becoming it them selves.

A series of photomontages that create fanciful, surreal placed that have never been seen before.

In this series I am exploring the realm of one’s environmental surroundings, how that is absorbed into one’s psyche and how this changes through relocations.

Our work on this project aims to awaken the hidden power in everyday architectural objects by challenging the usual associations through intervention of modern technologies.

Tatyana in her work draws fantastic word of her home Petrogradsky district in St.Petersburg. She treats this space as tesseract or four dimensional hypercube.

It’s a picture of a place which no longer exists; like all other places where the presence of human does not signify prosperity, but anonymity…

ZONA plunges deeply into the unconscious by visually giving form to recurrent dreams and explorations on interior landscapes.

Return to the essence of visual art, experience the dialogue and feelings between the mind and nature.