Kurdish photographer Dlshad Jamal plays with our perception and expresses the hidden side of human being in of the modern world.
So it happened that New Year is not my favorite holiday. As it often happens the reasons can be tracked to the family history.
Geometric Origins is a representation of a perspective towards the Universe perceived as an arrangement of the most rudimentary shapes and forms found in around us.
What am I looking for? Is it happiness or loneliness? But I think everything is based upon a choice. Even this state demands a response.
The personal project about loss. We are born and die alone, but I still see you in dreams. You asked me to look at the sky more often after your death. In these moments, I can always hear your voice.
Fragments of the Dying Man is a diaristic narrative born out of love and loss that attempts to look at a fast-changing image crazy world through the eyes of desire.
A visual expression of my searching for peace and balance in the big city.
Con la neve tutto si trasforma: i colori, le luci, i suoni. Nella neve puoi sentire il silenzio.
La maglia gialla è il veicolo che conduce la storia attraverso le fasi che ho vissuto, dall'epilogo col quale comincia fino alla rinascita.
The abandonment of a small mountain village told through the story of a bride. Penelope.
In the process of this photographic study, I came to conclusion that interiors and everyday objects that belong to the tenants can be quite eloquent.
365 days are a metaphor of an infinite time, of all the possible lives that identify us, sometimes deluding ourselves and breaking into adulthood.
'Lady Snow' is a solitary journey, through the silent and snowy lands of Abruzzo. Appreciating the silence that surrounds nature and cities. Looking for our inner peace.
Kochan, una sorta di diario personale per raccontare il lungo viaggio che il protagonista compie alla scoperta della propria identità e del proprio corpo.
My life has been a long journey, Sometimes I have run, sometimes I have stopped. I have experienced moments of chaos and after each of them I have suffered internal changes.
I have asked my mother to tell me about the similarities and differences she sees in me, her and my grandmother.
Origin is about my roots and family. Seeing the simplicity of my origins gave me a feeling of deep sympathy and tenderness towards them.
In this project, the only narrative component is visual alignment between images. I took mild images where subjects are decontestualized, as in a dream.
They expose their skin, opening their sensuality to the lens, like an exposed nerve: ready for enjoyment or pain.
I think there’s a beautiful sadness resting on the faces of people travelling on the underground. A sense of melancholia that I try to capture.
The most interesting thing for me at present time is portrait photography. No wonder, because the most interesting thing for human is another human.
Par ce sujet sur les fantômes, très présents au Vietnam, j’ai aussi voulu parler de mes propres fantômes et d’un passé du Vietnam révolu avec ces guerres.
A visual expression of my journey to the motherhood: an embarrassing experience of carrying a baby in a womb and giving a birth to it.
It's a metaphor that reflects the human condition all too often forced into patterns and plaster roles and that leaves no room for imagination.
Home is a journey through the places in which I was born and raised.
On that night, everything hugely transformed. The rain came, people rushed away, surroundings unseen, and things was left behind. Euphoria was gone in a sudden.
I tried to record and freeze some photographs in public areas in several places…
Another Sombre Christmas is one of my personal narratives adopting a poetic and non-linear style of storytelling through photographs alone.
Every image in this series can be seen as a «fallen leaf». We can decide what kind of «leaf» they are: beautiful, or lost, or dying.
Un piccolo racconto fotografico per raccontare la periferia a mia figlia.
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