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Moscow, train station

ZERO DARK MOCKBa, photo essay by Davide Palmisano.

[V]ersion of Moscow, is the guided tour of a city of dreams, and dreams should be made so at night.
Because the night is a different world, sweet and ambiguous as a dream, and in those hours the cityscape in Moscow, constantly and rapidly changing too, is abandoned to oblivion, and stopping it has left captured in his cold and in his oblique twilight; giving us an unusual instant recording of the process of tumultuous change, theme fortunately there are still traces half hidden, in memory, in the neighborhoods and in the original functions of the dumb buildings.
What it was there before it was destroyed, but what replaces it has its beauty: the urban fabric takes the vision of the post-industrial landscape, time stands still, and the apparent mystery and the sense of abandonment takes over the pulsating rhythm just in places already become something else, in a urban history in which everything changes.

We are left to admire the cusp of transformation from the instant stopped, still and cold, but so we’re present “in places”; to make not them disappear forever. (Davide Palmisano)

Moscow, night sky
Moscow, outside coffee
Moscow, ateliers in “red october” district
Moscow, “artplay” district
Moscow, tram railway
Moscow, “red october” district under snow
Moscow, railway crossing
Moscow, “artplay” district
Moscow, “red october” district under snow
Moscow, “red october” district under snow
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Davide Palmisano

I was born in Catania 42 years ago, i live in Trento now since 18 years, i've got passion for photography since I was 15 years old, but only recently have I discovered the real possibilities offered by photography and as an adult I've finally concentrated on thematic projects. I am not a professional photographer but I photograph for passion and often for a personal and intimate necessity to express myself. In my photography I prefer the search of the suggestion; I try to provoke a state of mind, my photo must be the expression of what I feel when I observe, a kind of inner landscape. I love using my photography to make a statement about this world and the people in it.

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