[T]he motive in this body of work is to mend the tension and tragedy created when conflicting emotions meet. Walking through the highs of my recent travel to China and the lows of significant personal loss, I have been searching for a visual level of communication that would unite traces of my existence. I have become increasingly fascinated by how tenacious life is and yet how in a moment survival ceases.
The fragility of life is represented in this work by a personal language of symbols. I want all my images to carry personal meaning, even if it is not easily read by the viewer. By working more abstractly, the dissimilar images connect to one another in unexpected ways causing a thought or idea to evolve. The juxtaposition of death and despair, represented by skeletons, old age and holes connected to a joyous life filled with children, birds and Ferris Wheels examine the complicated and chaotic ways in which life contracts, expands, converges and divests in our personal journeys. By stretching the image to near disintegration by burning, freezing and submersions, I seek to release my emotions and give respect to a life that has been fully lived. The emotions I sought to bandage together resulted in a somber, but completely liberating experience.
(Angela Bacon-Kidwell | Traces of existence, PRIVATE 54 – LOST, pages 40-45)