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On the edge of the sociological documentary and the contemporary stage setting, Denis Darzacq photographs bodies and questions the place of the individual in society, his frustrations and the freedom, which is necessary to know how to protect.
Against the erotic and dreamlike advertising imaging, Denis Darzacq stages models of fine art academies in the commonplace space of suburban zones.
The nudity and the movement of the walking confer on its monumental figures an individuality and a will which this oppressive and normative environment would tend to deny.