Tag Archives | PRIVATE 46


For more than 10 years, Galerie VU’ has been promoting photographers of various ages, nationalities and inspirations. This issue of private magazine, which is dedicated to them, proves it.

Photographer(s): , , , , , , , , , , , , ,

Anders Petersen, From Back Home - PRIVATE 46, p. 08-09 (08-13)

Anders Petersen | From Back Home

Holding fast to his direct style, full of close-ups, out of the frame points of view, huge contrasts and banal, sometimes grotesque or disturbing details, Anders Petersen…


Jean-Christian Bourcart (Traffic)

Jean-Christian Bourcart | Traffic

According to him, Jean-Christian Bourcart is “a visual vampire, drinking compulsively the image of the others”.


Hicham Benohoud, La Salle de classe - PRIVATE 46, p. 20-21 (20-25)

Hicham Benohoud | La Salle de classe

La Salle de classe establishes the work of Hicham Benohoud who, for 15 years, has been questioning mainly the Moroccan Muslim culture.


Laurence Leblanc, Seul l’air - PRIVATE 46, p. 26-27 (26-31)

Laurence Leblanc | Seul l’air

Laurence Leblanc creates committed but personal works, which cut with the immediacy and the spectacular of the contemporary report.


Anne-Lise Broyer, Au Roi du bois - PRIVATE 46, p. 32-33 (32-37)

Anne-Lise Broyer | Au Roi du bois

Anne-Lise Broyer defines herself above all as a “reader”. Literature is at the source of her photography which, practiced with restraint, tries to retranscribe an upheaval provoked by the reading.


Nicolas Comment, Est-ce l’Est? - PRIVATE 46, p. 38-39 (38-43)

Nicolas Comment | Est-ce l’Est?

Intimist and enigmatic, Nicolas Comment’s photographs do not stick to reality: no description, anecdote or story.


JH Engström, From Back Home - PRIVATE 46, p. 44-45 (44-49)

JH Engström | From Back Home

JH Engström has developed for approximately 15 years a work where, with his own touch and outside the conventions of the portrait, still life and landscape, he mainly shows his everyday life and his close relations.


John Davies, Fuji City - PRIVATE 46, p. 62-63

John Davies | Fuji City

John Davies’s work offers a synthesis of traditionally opposed trends of a way of representing landscapes in photography.


Denis Darzacq, Nu - PRIVATE 46, p. 64-65 (64-67)

Denis Darzacq | Nu

Against the erotic and dreamlike advertising imaging, Denis Darzacq stages models of fine art academies in the commonplace space of suburban zones.


Jeffrey Silverthorne, Boystown, the perfume of desire - PRIVATE 46, p. 70-71 (70-75)

Jeffrey Silverthorne | Boystown, the perfume of desire

Jeffrey Silverthorne has been accumulating a series on extreme subjects: a slaughterhouse, a morgue, brothels or a community of transvestites and transsexuals. But not out of voyeurism.


Powered by WordPress_ Designed by Studio Negativo