People trust you by letting themselves to be in front of your camera, to be the part of your memory and it’s really a beautiful feeling.
Untitled #1 Fair Svetlana is a series of portraits (77x150 cm) that were pictured in an old metal factor that seems to belong to a far and strange place in which time stood still. The series touches the human aspect – manhood, dreams, disappointments, normality vs. abnormality and what lies...
Just off a small roundabout in the middle of the English countryside lies New College Worcester. At first glance, it is a regular secondary school and sixth form, set in pleasant, open grounds. It’s only when you look a little more closely that you see signs indicating that this is not a ‘normal’ school.
I have always been curious and fascinated about slight expressions, movements of the face. The story telling of the eyes, and who we are or become when in front of the camera. For the project ‘Breathe’ I was looking for a more organic, spiritual, and unmasked feeling.
PRIVATE 49, p. 20-21 Grégoire Korganow, Père et fils, from PRIVATE 49 – FRANCE présences A black background. A stark single light source. Two men stand in front of my lens. They are not the same age. One is approaching sixty, the other is just 30. Father and son. Bare-chested, skin against skin....
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