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In the past two decades Greek art photography has grown enormously, deriving stimuli both from the international photography scene, with which it now keeps pace, as well as from the fast development of Greek society. This growth coincided with and was affected by a broader turn of the Greek society towards the technological image in the second part of the ’80s, mostly through the appearance of private TV channels and a literal explosion of illustrated magazines. (Hercules Papaioannou)

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