The collection of photos you can see here covers a broad spectrum of tastes, concerns and outlooks, which may at first sight seem irrelevant. Yet, sorting and carefully comparing the pictures will reveal a common perspective shared between the photographers of these collections. Perhaps a short introduction to Iran’s History, Geography and Social situation …
It’s common to hear photojournalists described as the eyes of the world, acting as witnesses to events that we would otherwise not see. To some extent this is true, but it’s a simplified description that suggests passive observation and it denies the greater function of active investigation that defines great photojournalism.
Good news, it infuses this issue with a sense of joy, and with an aspect of carefree childhood seized in flight. There is a feeling of solemnity, but a tender solemnity. An innocence that confronts the world, its difficulties and the trials of study, but it is amusing, happy, and touching.
When they came to tell us that farming without farmers could exist we smiled. But now we have uninhabited expanses of land, mechanization, greenhouse plants untouched by human hand.
Since we are living, to a large part, in a socially constructed world – think of the legal system or of bureaucracy, for instance –, social reports can be pretty much about anything and everything that explores conditions and trends in a community.
Big changes are happening in photography today, and we cannot blame digital photography for all of these upheavals. The close connection between photography and reality has not been called into question, but what has been cut up, torn up or wrung out is the ambiguous relationship between photography and truth. And the development of digital […]
I recently made a train journey in France. Leaving from Paris but, and this is what I asked the ticket seller at the station…
A living environment is a defined terrain where actual and imaginative perceptions are mutually experienced. The current flow of global information intensifies the simultaneous sense of personal space, and images serve as its geographic and emotional expansions.
This issue offers its readers a selection of photographs that touches onto the many facets of the environment. I would like to single out two amongst those that underline, I feel, the complexity of reporting on such a multi-faceted issue.
Producing images is probably the last way in which we can fully express our freedom and individuality in this century. Up until the end of the twentieth century, the West held a monopoly on seeing, i.e. the power of describing and therefore defining the world from a hegemonic point of view…
In the past two decades Greek art photography has grown enormously, deriving stimuli both from the international photography scene, with which it now keeps pace, as well as from the fast development of Greek society.