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Archive | PRIVATE Introductions

Behzad Nejadghanbar | A City, A Land, A World

The collection of photos you can see here covers a broad spectrum of tastes, concerns and outlooks, which may at first sight seem irrelevant. Yet, sorting and carefully comparing the

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PRIVATE 56, p. 3

Pierre-François Moreau | School

Good news, it infuses this issue with a sense of joy, and with an aspect of carefree childhood seized in flight. There is a feeling of solemnity, but a tender

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PRIVATE-55_Michele

Michele Smargiassi | Rurality now

When they came to tell us that farming without farmers could exist we smiled. But now we have uninhabited expanses of land, mechanization, greenhouse plants untouched by human hand.

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Alain Jullien | Photography and Photographers

Big changes are happening in photography today, and we cannot blame digital photography for all of these upheavals. The close connection between photography and reality has not been called into

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Ami Steinitz | Meta Reality

A living environment is a defined terrain where actual and imaginative perceptions are mutually experienced. The current flow of global information intensifies the simultaneous sense of personal space, and images

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PRIVATE 37, p. 02-03

Lucy Conticello | Environment & Climate

This issue offers its readers a selection of photographs that touches onto the many facets of the environment. I would like to single out two amongst those that underline, I

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PRIVATE 37, p. 3

Simon Njami | Images Split into Two

Producing images is probably the last way in which we can fully express our freedom and individuality in this century. Up until the end of the twentieth century, the West

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PR24-02

Hercules Papaioannou | Reflections and Fragments of Contemporary Greece

In the past two decades Greek art photography has grown enormously, deriving stimuli both from the international photography scene, with which it now keeps pace, as well as from the

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