On view at Howard Greenberg Gallery will be Heath’s photographs from the Korean War and the Beat Generation era in Greenwich Village, pages from his thematic notebooks mounted with tiny prints, and work that was included in his seminal 1965 book A Dialogue with Solitude, a poignant collection of images that explores the human psyche in chiaroscuro tones.
A key figure in 20th-century photography, adept in delineating details and dissolving others, Heath is known as a master printmaker with a deep and atmospheric palette.
Born in Philadelphia in 1931 and abandoned as a child, Heath was inspired by Ralph Crane‘s Life magazine essay “Bad Boy’s Story” and decided to become a photographer at 16.
Heath found his métier in photography and the darkroom. Largely self-taught, he briefly studied art in Philadelphia and Chicago, while supporting himself assisting commercial photographers.
He began photographing during the late 1940s in Philadelphia, then in Chicago and in Korea, where he was a combat soldier.
Dave Heath in his own emotionally charged photographs and curated slide shows, often explores alienation in North American society. His work draws loosely from his own personal experiences as an orphan and as an American combat soldier in the Korean War.
In 1957, Heath moved to New York, where he studied with the renowned photojournalist W. Eugene Smith at the New School for Social Research and met fellow photographers Robert Frank, Lee Friedlander, Simpson Kalisher and Gary Winogrand.
His studies with Smith led him to begin his A Dialogue with Solitude series in 1961. Heath was awarded Guggenheim fellowships in 1963 and 1964. In the 1960s, Heath taught at the Dayton Art Institute in Ohio and the Moore College of Art in Pennsylvania, before emigrating to Canada in 1970, where he taught at the Ryerson Polytechnical Institute in Toronto through 1996.